Best Albums of 2023 Reviewed
by Alex Harford
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Three of my top four albums of 2023 were released in the final quarter, with more coming in mid to late December, and those at the top (unusually for me I think) are mostly from long-established bands.
Post-rock and dream pop features heavily in my favourites this year, but there's also bigband, synthpop, folk, ambient, alternative rock/metal, post-punk, jazz, indie rock, chamber pop, shoegaze, Americana, yé-yé, modern classical, and more.
Songs from the below albums and elsewhere are included in my Best of 2023 Playlist.
And my Best of 2024 Spotify Playlist already has a few songs...
1Slowdive: everything is alive
Dream pop
shoegaze
post-rock
Album #: 5
United Kingdom
Review
Another beautiful Slowdive album that sounds fresh but still like no one else but Slowdive? Wow.
I don't think there's a standout couple of songs like there is on the self-titled comeback, but I think Everything Is Alive is the stronger overall album, and "shanty" at least is up there with Slowdive's very best.
Despite sounding like Slowdive, two tracks remind me of what Collapse Under the Empire (CUTE) - another absolute favourite band - have been doing brilliantly for over ten years now. Especially "the slab," which I initially mistook for CUTE, though I think CUTE do that blend of synthy atmospheric post-rock better (hear The Sirens Sound album, for example). Slowdive just beat them to my album of 2023 though and were also my gig of 2023.
Favourite songs: shanty / skin in the game
Bandcamp Amazon
2Monika Roscher Bigband: Witchy Activities and the Maple Death
Experimental big band
avant-prog
progressive pop
Album #: 3
Germany
Review
It's much-loved by others, but I'm unsure about a short stretch of this album (the "Witches Brew" suite), but I find the rest intoxicating and often exhilarating like nothing I've heard before.
Thanks to one song ("Firebird") I initially loved, I'm glad I perservered with the outlandishness.
A brilliant mix of rock, jazz, prog, orchestral, pop, and more.
Witchy Activities and the Maple Death continues to surprise me after multiple listens.
I'm excited to listen to Monika Roscher's back catalogue, and if she doesn't make it to the UK with her band, I'll coordinate a holiday around one of her tours or gigs in Germany.
More of this kind of thing!
Favourite songs: 8 Prinzessinnen / Firebird / Creatures of Dawn / Queen of Spades
Bandcamp Amazon
3Collapse Under The Empire: Recurring
Post-rock
Album #: 9
Germany
Review
Another Collapse Under The Empire album...another album of the year contender - their 8th in a row that's been up there for me.
Cinematic dystopian post-rock with light amongst the darkness.
Whereas some non-album singles since the previous album took a different direction (like the excellent "Section V" and "Section VI"), Recurring mostly continues with the formula CUTE have perfected since 2010's The Sirens Sound and my 2011 album of the year Shoulders and Giants, plus added changes in structure and mood within songs here and there. "Mercy" for example, which switches from dark to light and back and shifts in pace. There are the usual dips into various genres that CUTE do so well - if you only heard a certain 20-ish seconds of the aforementioned "Mercy," you might think it's from a synth pop band.
Recurring seems to have more light in the dystopia compared to past CUTE releases, feeling very uplifting in parts. Maybe that felt a necessity given CUTE's origins and the state of much of the world during and following the pandemic.
No other band or musician I know has been as consistent as CUTE when it comes to my absolute favourites of the year: long may their run of exceptional albums continue!
And if I could see any band live... *fingers crossed*
Favourite songs: Revelation / Mercy
Bandcamp Amazon
4Spurv: Brefjære
Post-rock
post-metal
Album #: 3
Norway
Review
Brefjære is probably even better than previous album Myra, one of my albums of 2018. It's Spurv at their most cinematic, with occasional choral vocals and brass at key points helping raise the album to another level.
I've seen Brefjære compared to Mono. The sometimes heavy and slightly dark but still melodic and at times uplifting brand of post-rock Spurv have made here reminds me more of Kokomo and Russian Circles.
Favourite songs: En brennende vogn over jordet / Urdråpene
Bandcamp Amazon
5Depeche Mode: Memento mori
Synthpop
electro-industrial
Album #: 15
United Kingdom
Review
A contender for Depeche Mode's best album. Memento mori is like a load of their best bits - from the poppier and darker sides - combined into one.
In 2024, I'll be seeing them live for the first time since 2001.
Favourite songs: Ghosts Again / Soul With Me
Amazon
6Magic Wands: Switch
Dream pop
shoegaze
gothic rock
Album #: 6
United States
Review
Switch is an album full of beguiling dream pop gems.
"Joy" is dark dream pop perfection, propelled along by its bassline that's surrounded by ethereal droney guitars, and dreamy synths and vocals.
"Starbreeze" is another highlight and for me the most hypnotic track on Switch.
Favourite songs: Joy / Starbreeze
Bandcamp Amazon
7cursetheknife: There's a Place I Can Rest
Alternative rock
alternative metal
shoegaze
Album #: 2
United States
Review
There's a particular 1990s alt-metal sound I love, heard with (especially early-)Feeder, Smashing Pumpkins, and occasionally Deftones. There's a Place I Can Rest has that kind of sound with a brilliant shoegaze edge and superb Nothing-esque fuzzy melodies.
Favourite songs: Thrall
Bandcamp Amazon
8Hammock: Love in the Void
Post-rock
ambient
Album #: 13
United States
Review
I'm disappointed the gorgeous sensory explosion that was the single "A Sensory Explosion" is missing, and I expected the album to be more in that vein from comments from Hammock around that time.
But it's another solid Hammock album that's almost up there with my favourites. Love in the Void includes a good mix of ambient and post-rock and blasts of shoegaze noise. Perfect for bedtime listening.
Favourite songs: It's OK to Be Afraid of the Universe / Release / Gods Becoming Memories
Bandcamp Amazon
9The WAEVE: The WAEVE
Art rock
Album #: debut
United Kingdom
Review
An interesting mix of genres and instrumentation that melds into what's probably my favourite release by Rose Elinor Dougall or Graham Coxon, possibly even outshining the best albums by their bands The Pipettes and Blur. Not really much like either apart from a touch of Blur-esque Coxon.
With tracks like Kill Me Again, The WAEVE occasionally reminds me of cool noughties band The Shortwave Set.
It was seeing The Waeve play most of this album live (Gigs of 2023) that made me realise how good the album is.
Favourite songs: Kill Me Again / Drowning
Bandcamp Amazon
10Steady Holiday: Newfound Oxygen
Indie pop
chamber pop
Album #: 4
United States
Review
Yet another consistently solid indie pop gem from Dre Babinski and the lushest-sounding of her albums so far.
While there is darkness in the music, she has a similar talent to Miss Li in disarming the listener with upbeat and fun melodies and dark subjects. Babinski's fun personality always comes across in at least a few of her songs each album too.
Favourite songs: The Balance / High Alert
Bandcamp Amazon
11Fabrizio Paterlini: Riverscape
Modern classical
ambient
minimalist piano
Album #: 12
Italy
Review
Another excellent album from Fabrizio Paterlini; starting with a drone, Riverscape continues on to be full of lovely melodies that often sound like the water (and photographs of rivers by Kristel Schneider) that inspired the album.
Paterlini sounds like Paterlini, but occasionally also like the best of Einaudi, such as on the gorgeous "Be in the Moment."
Favourite songs: River Flows / Water Has Memories / Be in the Moment
Bandcamp Amazon
12Uniforms: Trance
Post-punk
shoegaze
Album #: 3
Spain
Review
UNIFORMS' Fantasía moral and its dreamy shoegaze was one of my highlights of 2020.
While the shoegaze influence is still strong on Trance, and I loved the singles released in the lead up to the album (The Ladytron-esque "I Quit" is a belter), the darker and more post-punk orientation took a couple of listens for me to get used to before I started to love Trance as much as Uniforms' previous album.
Favourite songs: I Quit / Ligeia / Nomofobia
Bandcamp
13Gemma Ray: Gemma Ray & the Death Bell Gang
Indie pop
art pop
neo-psychedelia
Album #: 9
United Kingdom
Review
Not what I expected at all, and the experimentation on Gemma Ray & the Death Bell Gang has resulted in a dystopian and at times unsettling pop listen that's probably my favourite Gemma Ray album so far.
Favourite songs: Come Oblivion / No Love
Bandcamp
14Soars: Repeater
Post-rock
progressive electronic
Album #: 2
Sweden
Review
An excellent second album from pg.lost's/Cult of Luna's Kristian Karlsson, which sometimes sounds like a cross between post-rock legends God Is an Astronaut with that wistful kind of lost in space but uplifting joy they do best and the layers and atmosphere of Collapse Under the Empire.
Favourite songs: The Waiting / Unfollow
Bandcamp
15The Shallows: Wave States
Shoegaze
dream pop
Album #: debut
United States
Review
A dreamy dark pop debut with hauntingly beautiful vocals that I'm sure many fans of early-4AD dream pop will love.
Favourite songs: Soft Night / Channels
Bandcamp
16Hannah Aldridge: Dream of America
Americana
gothic country
Album #: 3
United States
Review
I discovered Hannah Aldridge by checking out the listings of a local music promoter and ended up seeing her live twice in 2023; once solo in a beautiful church, and once with a full band in a pub venue that was so intimate it felt like being in someone's living room.
I loved Dream of America on first listen, the dreamy gothic country reminding me of Marissa Nadler's excellent The Path of the Clouds.
Favourite songs: The Great Divide / Beautiful Oblivion
Bandcamp Amazon
17ISON: Stars & Embers
Post-rock
ethereal wave
Album #: 3
Sweden
Review
Downtempo and doomy but beautiful and majestic with ethereal blasts of shoegaze noise.
Favourite songs: Luminescent Reverie
Bandcamp
18Hania Rani: Ghosts
Ambient pop
modern classical
electronic
Album #: 4
Poland
Review
My favourite tracks on Ghosts are mostly minimalist piano with subtle electronics, but the diversity of the album makes Ghosts an interesting listen throughout the 1 hour 6 minute runtime, with elements of Bjork and Radiohead coming through on other tracks. I'd only heard instrumental Hania Rani music before, so the occasional vocals - who are Rani herself - were a great surprise too.
Rani also released the excellent On Giacometti soundtrack in 2023.
Favourite songs: Moans / The Boat
Bandcamp
19Sigur Rós: ÁTTA
Ambient
chamber music
post-rock
Album #: 8
Iceland
Review
Until ÁTTA, I hadn't got into a full album by Sigur Rós since ( ) (Valtari came closest, and I enjoyed the dark turn for a couple of Kveikur tracks).
ÁTTA sounds like Sigur Rós back to their uplifting melancholic and beautiful best.
Favourite songs:
Amazon
20Daughter: Stereo Mind Game
Dream pop
indie rock
Album #: 3
United Kingdom
Review
Sometimes I'm familiar with bands for years until a particular album clicks with me for some reason, then I think about great gigs I might have missed. Stereo Mind Game is one of those albums.
It's beautifully arranged and maybe warmer and more upbeat than previous releases - perhaps what's attracted me this time. I do like my music bleak and will revisit those older albums.
Favourite songs:
Amazon
21April March: April March Meets Staplin
Yé-yé
indie pop
psychedelic rock
Album #: 9
United States/France
Review
I'm not familiar with every April March release, but backed by French duo Staplin, April March Meets Staplin is her most eclectic release I've heard.
It starts rather darkly, with second track "Alfie Solomon's Hush" sounding like Portishead, before introducing the more familiar French pop I know April March for on tracks 3 and 4 and my album highlight "Lay Down Snow White," which could've been lifted from the best of the 1960s, followed a few tracks later by the cheeky yé-yé highlight of "Natalie," which reminds me of Fabienne Delsol - the only other yé-yé artist I know well from recent years.
The world needs more yé-yé. According to RYM, April March Meets Staplin is the only yé-yé-featuring release in 2023.
April March (AKA Elinor Blake) has a quietly successful career as a singer and illustrator/animator; I bet most have heard her vocals somewhere (on "Chick Habit" in various places including the Tarantino film "Death Proof," for example, which is when I first looked her up).
Favourite songs: Lay Down Snow White / Natalie / Les fleurs invisibles
Bandcamp
22Silent Whale Becomes A° Dream: North EP
Post-rock
Album #: 3
France
Review
Two tracks and 33 minutes long, and Silent Whale Becomes A° Dream's best release since their debut album, with the kinds of beautiful orchestral swells I don't hear all that much in post-rock these days.
Favourite songs: North / Architeuthis Remastered
Bandcamp
23Kara Jackson: Why Does the Earth Give Us People to Love?
Singer-songwriter
folk
alt country
Album #: debut
United States
Review
I doubt I've heard (m)any better albums lyrically in 2023, which reach the heartbreaking, especially with the title track's loss of a childhood friend Jackson planned to start a band with. The song builds to an outro of "I'll make a promise to you then / If we can ever sing again / You sing those high notes high, my friend / I'll sing the low notes in the end."
Why Does the Earth Give Us People to Love? is often just Jackson's unique husky vocals and subtle instrumentation, but occasionally reaches layered crescendos.
I imagined Jackson to be much older than her early 20s, and it'll be exciting to hear what she does next.
Favourite songs: brain / why does the earth give us people to love?
Bandcamp
24SPELLLING: SPELLLING & the Mystery School
Art rock
art pop
Album #: 4
United States
Review
Under the Sun is one of the very best pop songs of the year with other tracks tending towards being darker.
I wasn't sure whether to include this album with it being reworks of older songs, but most sound almost completely reimagined, with fuller instrumentation and brighter production.
Favourite songs: Under the Sun / Haunted Water / Walk Up to Your House
Bandcamp
25Isolde Lasoen: Oh Dear
Baroque pop
French Pop
Album #: 2
Belgium
Review
An album I didn't hear until a few months into 2024. Having searched for yé-yé and seen no new releases (see April March, above), I searched for French pop instead, and Isolde Lasoen from Belgium appeared.
Lasoen built Oh Dear up from drums, a vibraphone, and her vocals, to which lush string and horn arrangements were added. It's an album of unexpected twists and turns but always relaxing with it.
Favourite songs:
Bandcamp
26Hochzeitskapelle + Japanese Friends: The Orchestra in the Sky [Kobe Recordings]
Chamber pop
jazz
folk
Album #: debut
Germany/Japan
Review
At times, like a more upbeat and ramshackle version of Beirut. Great stuff.
Favourite songs: Poisong / When the wind blows, the bucket maker gains / Garden of Peace / Kitakana St. March
Bandcamp
27The Kundalini Genie: False Highs, True Lows
Psychedelic rock
shoegaze
dream pop
Album #: 6
United Kingdom
Review
I love the melding of psychedelic and shoegaze on False Highs, True Lows.
Favourite songs: Anything, Anymore / False Highs
Bandcamp Amazon
28Film School: Field
Shoegaze
post-punk
indie rock
Album #: 7
United States
Review
Film School returned in 2018 after an 8-year album break with Bright to Death, which I thought was their best album until this year's Field, which is inspired by a 13th Century poem by Rumi.
While the shoegaze sound exists throughout Field, it doesn't have any out-and-out (or at least what I most associate with) shoegaze tracks like "Compare" or "Crushin'." Film School are one of the best at those kinds of tracks, so it's slightly disappointing, but with a psychedelic and post-punk (this is the most Film School have sounded like Joy Division) sound more to the fore, that lack of obvious shoegaze doesn't stop Field from being up there with Film School's best.
To add to my excitement of Film School's return in 2018, I saw them live in 2023 for the first time since 2008.
Favourite songs: Tape Rewind / Don't You Ever
Bandcamp
29Slow Salvation: Here We Lie
Dream pop
Album #: debut
United States
Review
Icy beauty title track "Here We Lie" opens an album full of pretty dream pop gems.
Favourite songs: Here We Lie
Bandcamp
30Pacifica: Freak Scene
Power pop
indie rock
garage rock
Album #: debut
Argentina
Review
A solid debut and one of my favourite power pop albums in years.
Favourite songs: Change Your Mind / Away
Amazon
31Rippedd: Maybe in Another Life?
Shoegaze
Album #: debut
Ukraine
Review
Lo-fi rather beautiful and at times noisy shoegaze.
Favourite songs: i'm here
Bandcamp
32Jalen Ngonda: Come Around and Love Me
Soul
Album #: debut
United States
Review
What a voice; Jalen Ngonda sounds straight from the best of 60s and 70s soul.
Favourite songs: Come Around and Love Me
Bandcamp Amazon
Other Albums
I don't know how many albums released in 2023 I listened to in total, but over 100 were on my shortlist. Here are some other favourites:
Kenneth Anger by Constant Smiles: dream pop/coldwave from the US.
The Ballad of Darren by Blur: art rock/indie pop from the UK.
Leave It Undefined by Strangers in My House: dream pop/baggy from Poland (I especially love "Sweet Relief" with its Manchester baggy influence).
Marzipan by Charif Megarbane: jazz-funk/Arabic jazz from Lebanon.
I Play My Bass Loud by Gina Birch: post-punk from the UK.
This is Forever by Ghosts in the Photographs: post-rock from the UK.
Hold Sacred by Esben and the Witch: ethereal wave/post-rock from the UK.
Silver Fairy by Megumi Acorda: dream pop/shoegaze (reminding me of Weezer's "Only in Dreams" on a couple of tracks) from the Philippines.
Sometimes That Light, That Shine, Seemed Like a Pretty Nice Thing by Umber: post-rock/ambient from the UK.
Everything Harmony by The Lemon Twigs: soft rock/baroque pop from the US.
Just Fade Away by Glazyhaze: shoegaze/dream pop from Italy.
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